Please contact the Book Reviews editor Anna Kirsch at annakirsch94@yahoo.com or anna.k.kirsch2@durham.ac.uk with Book Review in the subject line and specify what title or titles you are interested in reviewing. Please also include the address you would like it sent to and the editor will make inquiries.
When writing, please follow the blog guidelines with pieces between 800-1200 words long which are fully referenced and cited where appropriate, MLA style is ideal. Also, remember to include a short bio to appear with the piece. Reviews can include images, but please ensure that any images are free from copyright and fully cited.
Books of specific interest:
Dimitris Akrivos and Alexandros K. Antoniou, (eds.), Crime, Deviance and Popular Culture: International and Multidisciplinary Perspectives, (Palgrave Macmillan, 2019).
Jean Anderson, Carolina Miranda, and Barbara Pezzotti (eds.), Blood on the Table: Essays on Food in International Crime Fiction, (McFarland, 2018).
Lucy Andrew, The Boy Detective in Early British Children’s Literature: Patrolling the Borders between Boyhood and Manhood, (Palgrave Macmillan, 2017).
Nathan Ashman, James Ellroy and Voyeur Fiction, (Lexington Books, 2018).
Oriana Binik, The Fascination with Violence in Contemporary Society:When Crime is Sublime, (Palgrave Macmillan, Upcoming publication November 6, 2019).
Kerry Carrington, Russell Hogg, John Scott, Máximo Sozzo (eds.), The Palgrave Handbook of Criminology and the Global South, (Palgrave Macmillan, 2018).
Shalisa M. Collins, Renée W. Craig-Odders, and Marcella L. Paul (eds.), Violence and Victimhood in Hispanic Crime Fiction: Essays on Contemporary Works ,(McFarland, 2018).
Curtis Evans (ed.), Murder in the Closet: Essays on Queer Clues in Crime Fiction Before Stonewall, (McFarland, 2017).
Anne McKendry, Medieval Crime Fiction: A Critical, Overview, (McFarland, 2019 ).
Eric Sandberg (ed.), 100 Greatest Literary Detectives, (Rowman & Littlefield Publishers, 2018).
J.K. Van Dover, The Detective and the Artist: Painters, Poets and Writers in Crime Fiction, (McFarland, 2019 ).
Please note that Palgrave Macmillan has a new review policy and will only supply e-book copies on texts published from 2017 on. These come in the form of PDFs.
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When writing, please follow the blog guidelines with pieces between 800-1200 words long which are fully referenced and cited where appropriate, MLA style is ideal. Also, remember to include a short bio to appear with the piece. Reviews can include images, but please ensure that any images are free from copyright and fully cited.
Books of specific interest:
Dimitris Akrivos and Alexandros K. Antoniou, (eds.), Crime, Deviance and Popular Culture: International and Multidisciplinary Perspectives, (Palgrave Macmillan, 2019).
Jean Anderson, Carolina Miranda, and Barbara Pezzotti (eds.), Blood on the Table: Essays on Food in International Crime Fiction, (McFarland, 2018).
Lucy Andrew, The Boy Detective in Early British Children’s Literature: Patrolling the Borders between Boyhood and Manhood, (Palgrave Macmillan, 2017).
Nathan Ashman, James Ellroy and Voyeur Fiction, (Lexington Books, 2018).
Oriana Binik, The Fascination with Violence in Contemporary Society:When Crime is Sublime, (Palgrave Macmillan, Upcoming publication November 6, 2019).
Kerry Carrington, Russell Hogg, John Scott, Máximo Sozzo (eds.), The Palgrave Handbook of Criminology and the Global South, (Palgrave Macmillan, 2018).
Shalisa M. Collins, Renée W. Craig-Odders, and Marcella L. Paul (eds.), Violence and Victimhood in Hispanic Crime Fiction: Essays on Contemporary Works ,(McFarland, 2018).
Curtis Evans (ed.), Murder in the Closet: Essays on Queer Clues in Crime Fiction Before Stonewall, (McFarland, 2017).
Anne McKendry, Medieval Crime Fiction: A Critical, Overview, (McFarland, 2019 ).
Eric Sandberg (ed.), 100 Greatest Literary Detectives, (Rowman & Littlefield Publishers, 2018).
J.K. Van Dover, The Detective and the Artist: Painters, Poets and Writers in Crime Fiction, (McFarland, 2019 ).
Please note that Palgrave Macmillan has a new review policy and will only supply e-book copies on texts published from 2017 on. These come in the form of PDFs.
.
