The complex actions that transpire in transnational geopolitical spaces, including but not limited to issues of migration, reconfiguration of borders, the (d)evolution of trade alliances, and wars on terror, continue to complicate twentieth-century grand narratives of nationalism. The crime genre concerns itself with these complications, and the detective narrative traditionally explores the preservation and violation of the societal borders that circumscribe these issues and the nations involved. However, much scholarship on crime fiction—e.g. John Cawelti (1977) to Lee Horsley (2005)—has critiqued the genre for upholding the status quo with its focus on the preservation of established borders; for example, such scholarship tends to argue that working within a legal system inherently maintains a preexisting social order.
As scholarship on crime fiction attends to the violations of societal borders illustrated in detective fiction, scholars must grapple with popular culture’s attitudes toward national, transnational, and global issues. For its special issue on “Place, Space, and the Detective Narrative,” The Journal of Popular Culture seeks articles that explore how depictions of place and/or space in detective narratives engage with these complicated contexts. We are especially interested in arguments that challenge the established scholarly narrative of crime fiction’s role in upholding the political status quo. Proposed topics may address, but are not limited to:
Detective Fiction and the Global City
Detectives, Borders, and Migrations
Time and Place
Regional Crime Narratives
Maps in/and Crime Narratives
Crime Narratives and Literary Tourism
Settings in Crime Narrative
Location-specific social issues in crime narrative
Geography and/or Crime Narrative
Politics of Place
Psychogeography and crime
Chronotopes of Crime
Crime on Location
Articles may come from any disciplinary or interdisciplinary practice. Please send abstracts of no more than 250 words to both Malcah Effron (email@example.com) and Nicole Kenley (Nicole_Kenley@baylor.edu) no later than Jan 1, 2020. Requests for manuscripts will be sent by March 1, 2020, and manuscripts (5000-7500 words) will be expected by June 1, 2020.
Visit http://www.journalofpopularculture.com/submissions for the journal’s submission and style guidelines. Please contact either Malcah Effron (firstname.lastname@example.org) or Nicole Kenley (Nicole_Kenley@baylor.edu) with any questions about the call.