CALL FOR PAPERS
Crime fiction has long since refuted the assumption that its socio-political engagement is somehow not genuine – that it tends to reduce “social problems to so much local colour or authenticating detail” (John Sutherland). Nordic Noir, in particular, is often lauded for its analysis of Scandinavian welfare and gender politics, yet the critical orientation is prominent in contemporary world crime fiction more broadly.
Using the nexus of crime and investigation as its lens, the genre is increasingly defined by abandoning the idea of local and containable criminality in favour of a conception of individual crime as a manifestation of larger global challenges such as gender-based violence, economic inequality, climate change, migration, Indigenous rights and the crisis of democracy. Given this orientation towards the key challenges of our time, it is no exaggeration to say that world crime fiction today, like the nineteenth-century realist novel according to Georg Brandes, is defined by its determination to “place problems under debate”.
The conference will focus on crime fiction and the global challenges of the twenty-first century. While this topic allows a new critical assessment of individual crime novels, it also has broader ramifications for our understanding of the crime genre and its global distribution and impact. On the one hand, it enables an examination of how crime fiction’s socio-political engagement requires a revision of classic tropes, for example due to the emerging non individualistic conception of victimhood and culpability. On the other hand, it opens up opportunities for a new comparative approach to crime fiction focusing on the ways in which shared global issues are dealt with by authors in different countries and regions.
Papers at the conference will examine the global socio-political engagement of crime fiction from a broad range of perspectives, drawing on examples from across the world. We particularly welcome abstracts dealing with one of the previously identified challenges and offering comparative readings of literary texts from different countries and regions. We also welcome papers that reinterpret earlier crime narratives in light of the genre’s contemporary socio-political engagement.
Topics may include, but are not limited to:
• Crime fiction and the climate emergency
• Crime fiction and the crisis of democracy
• Crime fiction and economic inequality
• Crime fiction and gender and sexual freedom
• Crime fiction and migration
• Crime fiction and war
• Crime fiction and gender-based violence
• Crime fiction and global capitalism
• Crime fiction and extractive economies
• Crime fiction and new forms of totalitarianism
• Post-truth crime fiction
• First Nations Crime fiction
• Non-political crime fiction
• Comparative perspectives on world crime fiction
Using the nexus of crime and investigation as its lens, the genre is increasingly defined by abandoning the idea of local and containable criminality in favour of a conception of individual crime as a manifestation of larger global challenges such as gender-based violence, economic inequality, climate change, migration, Indigenous rights and the crisis of democracy. Given this orientation towards the key challenges of our time, it is no exaggeration to say that world crime fiction today, like the nineteenth-century realist novel according to Georg Brandes, is defined by its determination to “place problems under debate”.
The conference will focus on crime fiction and the global challenges of the twenty-first century. While this topic allows a new critical assessment of individual crime novels, it also has broader ramifications for our understanding of the crime genre and its global distribution and impact. On the one hand, it enables an examination of how crime fiction’s socio-political engagement requires a revision of classic tropes, for example due to the emerging non individualistic conception of victimhood and culpability. On the other hand, it opens up opportunities for a new comparative approach to crime fiction focusing on the ways in which shared global issues are dealt with by authors in different countries and regions.
Papers at the conference will examine the global socio-political engagement of crime fiction from a broad range of perspectives, drawing on examples from across the world. We particularly welcome abstracts dealing with one of the previously identified challenges and offering comparative readings of literary texts from different countries and regions. We also welcome papers that reinterpret earlier crime narratives in light of the genre’s contemporary socio-political engagement.
Topics may include, but are not limited to:
• Crime fiction and the climate emergency
• Crime fiction and the crisis of democracy
• Crime fiction and economic inequality
• Crime fiction and gender and sexual freedom
• Crime fiction and migration
• Crime fiction and war
• Crime fiction and gender-based violence
• Crime fiction and global capitalism
• Crime fiction and extractive economies
• Crime fiction and new forms of totalitarianism
• Post-truth crime fiction
• First Nations Crime fiction
• Non-political crime fiction
• Comparative perspectives on world crime fiction
Keynote Speakers
We're thrilled to announce our two keynote speakers and their (provisional) titles of their keynote addresses:
Prof. Sam Naidu
(Rhodes University)
“Writing LGBTQ+ Rights into African Noir: Genre Activism and the Challenge of Increased Homophobia on the African Continent”
Prof. Jesper Gulddal
(University of Newcastle)
“Global Indigenous Crime Fiction: A Comparative Attempt”
Prof. Sam Naidu
(Rhodes University)
“Writing LGBTQ+ Rights into African Noir: Genre Activism and the Challenge of Increased Homophobia on the African Continent”
Prof. Jesper Gulddal
(University of Newcastle)
“Global Indigenous Crime Fiction: A Comparative Attempt”
Extended Deadline
As this is a busy time of year, we're extending the deadline for submission of abstracts to the Crime Fiction and the Global Challenges of the Twenty-First Century conference from 15 December 2024 to 20 January 2025.
Please submit your 250-word abstracts for 20-minute presentations and proposals for panels and a short bio-note (about 100 words) via this form.
For postgraduate students and ECRs, a workshop will be held on 24 June before the conference proper begins.
If you need an immediate response to apply for funding, please indicate this in your application form.
We look forward to receiving your abstracts.
With best wishes,
Stewart King (on behalf of the organising committee)
Please address any questions to: [email protected].
Please submit your 250-word abstracts for 20-minute presentations and proposals for panels and a short bio-note (about 100 words) via this form.
For postgraduate students and ECRs, a workshop will be held on 24 June before the conference proper begins.
If you need an immediate response to apply for funding, please indicate this in your application form.
We look forward to receiving your abstracts.
With best wishes,
Stewart King (on behalf of the organising committee)
Please address any questions to: [email protected].
Registration fees
Online registration will be available from 1 February 2025.
Registration includes: in-person or online access to the conference sessions (including the ECR symposium). In addition, in-person registration includes: morning and afternoon tea, lunch and conference materials.
Optional conference dinner and social events will be charged separately.
Delegates must be members of the International Crime Fiction Association for 2025 in order to attend this conference. To become an ICFA member, please pay your membership fee online at https://www.euppublishing.com/page/cfs/subscribe. Membership to the ICFA includes a subscription to Crime Fiction Studies. Should you have any special requests (invoicing, paying by bank transfer, etc.), please contact Edinburgh University Press directly at [email protected]. Please make sure you receive a transaction confirmation from EUP before you start the online registration for CapCrim12.
Optional conference dinner and social events will be charged separately.
Delegates must be members of the International Crime Fiction Association for 2025 in order to attend this conference. To become an ICFA member, please pay your membership fee online at https://www.euppublishing.com/page/cfs/subscribe. Membership to the ICFA includes a subscription to Crime Fiction Studies. Should you have any special requests (invoicing, paying by bank transfer, etc.), please contact Edinburgh University Press directly at [email protected]. Please make sure you receive a transaction confirmation from EUP before you start the online registration for CapCrim12.
