True crime has a long and popular history in journalism, literature, drama, radio, film and television – and now the podcast. A warning for fair women (1599), the anonymous dramatisation of the 1573 murder of London merchant George Sanders by his wife’s lover, was the curtain-raiser for many more playwrights to adapt true murder narratives in the decades and centuries that followed (Rohrer 2019). True crime podcasts today clock up tens of millions of downloads (Punnett 2018) and research suggests that the audience is overwhelmingly made up of women (Boling and Hull 2018). Perhaps because of this, it is often dismissed as ‘a genre of cheap paperbacks with little literary merit and highly sensational, pornographic content (Rowen 2017). But such perspectives are challenged by research which identifies a focus on advocating for justice where the formal justice system has failed (Rowen 2017). True crime podcasts represent women in ways that ‘use the affordances of mass media to draw support from the public, effectively inviting the audience to perform as an alternate jury’ and engendering change in judicial processes (Pâquet 2020). The sub-genre of criminal biography uses the voice of the accused to challenge institutional truth-claims (Buozis 2017) and journalistic investigations repeatedly expose miscarriages of justice (Larke-Walsh 2021). Kelli Boling (2019) argues thattrue crime podcasts are impacting the criminal justice system in unprecedented ways and could challenge both criminal justice and media reform. But proponents also areaccused of complicity in the propagation and popularisation of narratives of female-directed violence and the visualisation of mutilated female bodies (Greer 2017). Erica Haugtvedt (2017) interrogates the range of ethical tensions which emerge when, for example, the conventions of fiction are applied to reportage, people become characters and factual narratives are developed as plots. And a focus on particular types of criminal activity address critical social issues of our day such as femicide (Mahadeen 2017); the persecution of racial (Oliver 2003) and LGBTQ+ communities (Polchin 2019); human trafficking (Gregoriou 2018) and crimes against the planet (Ruddell 2017). Case Punnett (2018) charts the theoretical landscape that we might draw on – but much of the topography remains to be mapped. Submissions are welcome which explore its rise in popularity in recent years, shifting perceptions and receptions, changing platforms, new understandings. To be held at Newcastle University and online, June 23, 2022. Authors are also invited to submit their papers to peer review to feature in a subsequent winter 2022 special double edition of Ethical Space. Submissions are open to researchers, PhD students, and practitioners working in the field, and parity of esteem will be afforded to both theoretically-driven and practice-related papers. We particularly welcome submissions from diverse voices and nations and regions beyond Western perspectives. The aims of the conference and double issue are to explore current and emerging concepts, developments and potential future trajectories of true crime narratives and production from a global perspective. Potential topics include, but are not limited to:
Please submit abstracts of 500 words plus a 50-word biography to Barbara.henderson@newcastle.ac.uk by Friday 29 October 2021.
Authors will be notified of the outcome by 19 January 2022. PowerPoint presentations are acceptable for the conference on 23 June 2022, but full papers (5,000 words including references) for publication in Ethical Space Winter 2022 should be submitted by 31 August 2022. Please follow Journalism@Newcastle for updates.
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